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| Miguel de Cervantes |
Koan-î Chok-chiá
Miguel de Cervantes (1547-1616) sī Sepanga bûn-ha̍k sú ni̍h siōng tiōng-iàu ê chok-ka chi-it, phó͘-phiàn tek jīn-tēng i sī hiān-tāi sió-soat ê khai-ki chó͘. I siōng chhut-miâ ê chok-phín Don Quixote (唐.奇訶諦) m̄-nā sī Sepanga bûn-ha̍k ê piau-chì, mā tōa-tōa éng-hióng tio̍h kui-ê Europa bûn-ha̍k ê hoat-tián.
Cervantes chhut-sì tī Sepanga tiong-pō͘ ê Alcalá de Henares, in lāu-pē sī chi̍t-ê kiam chò gōa-kho ê thì-thâu sai, ka-têng seng-oa̍h sàn-chhiah. I ê chá-nî seng-oa̍h bô an-tēng, siàu-liân ê sî bat khì Italia hoat-tián, āu-lâi tī hia chham-ka chiàm-niá Italia ê Sepanga kun-tūi. Tī Lepanto hái-chiàn ê sî, i siū-siong, tò-chhiú éng-oán chân-hùi. Tī hôe-kok ê lō͘-ni̍h, i tú-tio̍h hái-chha̍t, hông koaiⁿ tī Algiers 5-nî, it-ti̍t kàu kau-hù sio̍k-kim chiah koh tńg-kàu Sepanga. Chiah-ê phiau-liû ê keng-giām tōa-tōa éng-hióng i tùi chū-iû, jîn-sèng, kap miā-ūn ê khòaⁿ-hoat.
I siōng-chá ê bûn-ha̍k chok-phín sī chhân-hn̂g sió-soat La Galatea (1585), sui-bóng bô kài sêng-kong, tān piáu-hiān chhut i tùi si ê gí-kám kap jîn-bu̍t sim-lí ê chiáng-ak. 1605 nî, i chhut-pán Don Quixote Tē-it Chheh (El Ingenioso Hidalgo Don Quixote de la Mancha - Thian-câi Sin-sū Don Quixote de la Mancha, 52 Chiuⁿ), biô-siá chi̍t-ê bê-chùi tī khî-sū sió-soat ê chng-kha sin-sū Don Quixote, in-ūi siàu-siūⁿ boeh chiâⁿ-chò iû-kiap khî-sū, tián-khui chióng-chióng hàm-kó͘ ê lāng-hiám. I ê tiong-hō͘ sū-chiông Sancho Panza, pí i khah si̍t-chāi khah chhiò-khoe, nn̄g-lâng chiâⁿ-chò hoàn-sióng kap hiān-si̍t, siáu-kông kap lí-tì ê chhù-bī tùi-pí.
Don Quixote Tē-jī Chheh (Segunda parte del ingenioso caballero don Quixote de la Mancha - Thian-châi Khî-sū Don Quixote de la Mancha, 74 Chiuⁿ), chhut-pán tī 1615 nî, tián-hiān chhut Cervantes koh-khah sêng-se̍k kap ki-tì. Tī Tē-jīi chheh ni̍h, jîn-bu̍t khai-sí ì-sek tio̍h ka-tī tī chêng chi̍t-pō͘ sió-soat ni̍h ê miâ-siaⁿ, ín-ji̍p meta hi-kò͘ ê chhiú-hoat, hêng-sêng te̍k-su ê khoe-hâi kap hoán-séng. Chiong kî bóe, Don Quixote hôe-ho̍k lí-sèng, hō tńg-khì i ê goân-miâ, kiò chò “Alonso Quixano” it-ti̍t kàu sí, che mā siōng-teng lí-sióng ê phòa-bia̍t kap jîn-sèng ê kak-gō͘.
Tî-liáu Don Quixote í-gōa, Cervantes mā chhòng-chok Té-phiⁿ Sió-soat Chip (Novelas ejemplares), si-chok, kap kio̍k-pún. I ê it-seng sui-bóng sàn-chhiah, chhiong-móa put-hēng, tān-sī i sí hit-kang (1616 nî 4 goe̍h 22) tú-hó kap Eng-kok tōa bûn-hô William Shakespeare ê sí-kî kāng-ji̍t, siōng-teng Europa Bûn-ha̍k ê chi̍t-ê tńg-oat ê sî-tāi.
Cervantes ê éng-hióng chhim koh hn̄g: Don Quixote hông ó-ló chò “hiān-tāi sió-soat ê khai-ki chó͘,” i he tùi hiān-si̍t kap hoàn-kak ê kau-chhap biô-siá, khé-hoat chē-chē āu-lâi ê chok-ka, pí-lūn kóng: Dostoevsky, Flaubert, Kafka, Borges, kap Lu Xun. In lóng ùi Cervantes ê pit khòaⁿ-tio̍h jîn-sèng ê kiàⁿ, lêng-hûn ê iáⁿ. It-ti̍t kàu taⁿ, Don Quixote hit-kù chū-sìn ê tōa-ōe: “Góa chai góa sī siáng,” iáu-koh tián-hiān chhut jîn-lūi tī lí-sióng kap hiān-si̍t tiong-kan bô-thêng ê chhiau-chhōe kap chhia-piàⁿ.
[E̍k-chū ChatGPT]
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關於作者
Miguel de Cervantes (1547-1616) 是 Sepanga 文學史 ni̍h 上重要 ê 作家之一, 普遍 tek 認定伊是現代小說 ê 開基祖. 伊上出名 ê 作品 Don Quixote (唐.奇訶諦) m̄-nā 是 Sepanga 文學 ê 標誌, mā 大大影響著規个 Europa 文學 ê 發展.
Cervantes 出世 tī Sepanga 中部 ê Alcalá de Henares, in 老爸是一个兼做外科 ê 剃頭師, 家庭生活散赤. 伊 ê 早年生活無安定, 少年 ê 時 bat 去 Italia 發展, 後來 tī hia 參加佔領 Italia ê Sepanga 軍隊. Tī Lepanto 海戰 ê 時, 伊受傷, 倒手永遠殘廢. Tī 回國 ê 路 ni̍h, 伊拄著海賊, hông 關 tī Algiers 5 年, 一直到交付贖金才 koh 轉到 Sepanga. Chiah-ê 漂流 ê 經驗大大影響伊 tùi 自由, 人性, kap 命運 ê 看法.
伊上早 ê 文學作品是田園小說 La Galatea (1585), 雖罔無 kài 成功, 但表現出伊 tùi 詩 ê 語感 kap 人物心理 ê 掌握. 1605 年, 伊出版 Don Quixote 第一冊 (El Ingenioso Hidalgo Don Quixote de la Mancha - 天才紳士 Don Quixote de la Mancha, 52 章), 描寫一个迷醉 tī 騎士小說 ê 庄跤紳士 Don Quixote, 因為數想欲成做遊俠騎士, 展開種種譀古 ê 弄險. 伊 ê 忠厚侍從 Sancho Panza, 比伊 khah 實在 khah 笑詼, 兩人成做幻想 kap 現實, 痟狂 kap 理智 ê 趣味對比.
Don Quixote 第二冊 (Segunda parte del ingenioso caballero don Quixote de la Mancha - 天才騎士 Don Quixote de la Mancha, 74 章), 出版 tī 1615 年, 展現出 Cervantes koh-khah 成熟 kap 機智. Tī 第二冊 ni̍h, 人物開始意識著 ka-tī tī 前一部小說 ni̍h ê 名聲, 引入 meta 虛構 ê 手法, 形成特殊 ê 詼諧 kap 反省. 終其尾, Don Quixote 回復理性, 號轉去伊 ê 原名, 叫做 “Alonso Quixano” 一直到死, che mā 象徵理想 ê 破滅 kap 人性 ê 覺悟.
除了 Don Quixote 以外, Cervantes mā 創作短篇小說集 (Novelas ejemplares), 詩作, kap 劇本. 伊 ê 一生雖罔散赤, 充滿不幸, 但是伊死彼工 (1616 年 4 月 22) 拄好 kap 英國大文豪 William Shakespeare ê 死期仝日, 象徵 Europa 文學 ê 一个轉斡 ê 時代.
Cervantes ê 影響深 koh 遠: Don Quixote hông ó-ló 做 “現代小說 ê 開基祖,” 伊 he tùi 現實 kap 幻覺 ê 交插描寫, 啟發濟濟後來 ê 作家, 比論講: Dostoevsky, Flaubert, Kafka, Borges, kap Lu Xun. In lóng ùi Cervantes ê 筆看著人性 ê 鏡, 靈魂 ê 影. 一直到今, Don Quixote hit 句自信 ê 大話: “我知我是 siáng,” iáu-koh 展現出人類 tī 理想 kap 現實中間無停 ê 搜揣 kap 捙拚.
[譯自 ChatGPT]
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About the Author
Miguel de Cervantes (1547–1616) was one of the most important figures in Spanish literature and is widely regarded as the founder of the modern novel. His most celebrated work, Don Quixote, is not only a landmark of Spanish letters but also one of the most influential books in world literature.
Cervantes was born in Alcalá de Henares, in central Spain, the son of a poor surgeon. His early life was unsettled; as a young man he went to Italy, later serving in the Battle of Lepanto, where he was wounded and permanently lost the use of his left hand. On his return voyage, he was captured by pirates and held captive in Algiers for five years before being ransomed back to Spain. These experiences of exile and hardship profoundly shaped his vision of freedom, humanity, and fate.
His first major literary work, the pastoral novel La Galatea (1585), gained modest recognition and displayed his poetic sensibility and psychological insight. In 1605, he published Don Quixote, Part I (El ingenioso hidalgo don Quixote de la Mancha), which tells of a country gentleman obsessed with chivalric romances who sets out to revive knighthood and right the world’s wrongs. His loyal squire, Sancho Panza, provides earthy wisdom and humor, creating a balance between illusion and reality, madness and sanity.
The second part, Don Quixote, Part II (Segunda parte del ingenioso caballero don Quixote de la Mancha), appeared in 1615 and reflected Cervantes’s deeper maturity and wit. In this sequel, the characters are aware of their own fame from the first book, introducing a playful meta-fictional element. The novel ends with Don Quixote’s return to sanity and death as “Alonso Quixano,” symbolizing both disillusionment and enlightenment.
Beyond Don Quixote, Cervantes also wrote Novelas ejemplares (Exemplary Novels), a collection of short stories, along with poems and plays. Despite a life marked by poverty and misfortune, he died on April 22, 1616—almost the same day as William Shakespeare—signifying a symbolic turning point in European letters.
Cervantes’s influence is immense: Don Quixote is often hailed as “the first modern novel,” and its interplay between illusion and reality has inspired countless authors such as Dostoevsky, Flaubert, Kafka, Borges, and Lu Xun. Today, Don Quixote’s declaration—“I know who I am”—still stands as a timeless emblem of humanity’s struggle between dreams and the real world.
[by ChatGPT]
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